Cheaper By The Dozen Script Pdf
MsC 302 Manuscript Register TWENTIETH CENTURY - FOX FILMSCRIPTS Collection Dates: 1929 - 1971 200 linear ft. This document describes a collection of materials held by the University of Iowa Libraries Iowa City, Iowa Phone: 319-335-5921 Fax: 319-335-5900 e-mail: Posted to Internet: March 2001 Acquisition Note: This collection was accessioned in 1972, at a time when the New York corporate offices were closing and when corporate storage areas in the New York area were being eliminated. Richard Dyer MacCann, then Professor of Film in the Division of Television, Radio, and Film, Department of Speech and Dramatic Art at the University of Iowa, persuaded company officials that these materials should be preserved, and worked with Leslie W. Dunlap, Dean of Library Administration, and the company's legal staff to produce an agreement on the conditions under which they could be used.
Access and Restrictions: The company retained permanent title to the materials while agreeing to place them permanently on deposit with Iowa. Other clauses in the agreement were intended to assure that the scripts were used almost exclusively by University students and faculty, and clause 6 specified 'No copying, duplication or reproduction of the Film Material shall be permitted without our written consent,' while clause 7 read, 'Access to the 'locked and secured area' in which the Film Material is located will be only by letter or written permit to the Librarian.'
Toward the end of the year 2000, current officers of the corporation and the Libraries agreed to the following procedures governing access to individual items in the collection: 1. The scripts may be consulted in the Special Collections reading room by members of the University community and others. All readers must complete a Manuscript Reader's Registration Form. To obtain photocopies of or from any script, readers (whether onsite or off) must complete the Libraries' and must obtain authorization from the Corporation. The company official currently designated to respond to requests is Tom Kennedy, Vice President for Legal Affairs. Box 900, Beverly Hills, CA; phone 310-369-8630; FAX 310-369-4118; email: ).
In general, those making inquiry to him will be required to complete and return to the company a Screenplay Loan Agreement. If the Agreement is accepted by the Corporation and the request then approved, the company will in turn authorize the Libraries to produce a photocopy at the reader's expense. These are the only circumstances under which the making of copies is permitted. Digital Surrogates: Except where indicated, this document describes but does not reproduce the actual text, images and objects which make up this collection. Materials are available only in the Special Collections Department.
Copyright: Please read The University of Iowa Libraries' statement on ' Use of Collections: The University of Iowa Libraries supports access to the materials, published and unpublished, in its collections. Nonetheless, access to some items may be restricted by their fragile condition or by contractual agreement with donors, and it may not be possible at all times to provide appropriate machinery for reading, viewing or accessing non-paper-based materials.
Please read our statement. Prior to using collections, all readers are required to complete and submit a Abbreviations: For an explanation of the abbreviation and dating conventions used in the finding aids, see Scope and Contents The Twentieth Century-Fox Film Scripts Collection is housed in approximately 200 linear feet of archival boxes. The material is divided into three sections: film scripts, files on the Roxy Theater, and a file on the Twentieth Century-Fox Film Corporation.
Nearly 1,500 titles from the years 1929 -1971 are represented in the Twentieth Century-Fox Film scripts collection. Film materials include motion picture screenplays (both American and foreign) and television scripts, includidng 100 episode scripts of 'Peyton Place' and 40 episode scripts of 'The Tammy Grimes Show'. The screenplays range from typescript drafts to dialogue and cutting continuity scripts. Many of the continuity scripts, particularly the 'Edited Books,' are marked in a variety of pencils and inks with notes which suggest they were used in the process of sub-titling prints for overseas distribution.
The annotations may prevent clear photocopies being made. In the early days of motion picture production, studios owned their own theater chains.
Twentieth Century-Fox owned the Roxy Theater of New York, then the largest theater in the world with a seating capacity of 6,200. Files on the Roxy theater include: tax assessments from the 1940's, correspondence and general business agreements. Rounding out the collection is a small section of papers on the Twentieth Century-Fox Film Corporation.
These papers contain: annual reports of 1969 -1970, an insurance manual for the corporation and general business agreements. Twentieth Century-Fox Film Corporation is an American film producing and distributing corporation formed by the merger of two companies in the early half of the century. In 1915 William Fox began the Fox Film Corporation; and in 1925 he bought controlling interest in the Roxy Theater of New York, N.Y. Fox Film Corporation merged with Darryl F. Zanuck's Twentieth Century Pictures in 1935 to form the present day Twentieth Century Fox Corporation.
Inventory Note: This inventory is being annotated box by box as there is opportunity to do so. See, e.g., Box 240.
The following abbreviations are used: SP = screenplay. These are physically the most straight-forward of the scripts.
Scene information and dialogue are presented in narrative form. They may be typed, mimeographed, photocopied, or otherwise printed.
Nearly all are on 8 1/2 x 11 inch paper. CS = continuity script.
These scripts are on pre-printed sheets with muptiple columns. Dialogue is presented in the left-most column. Other information (e.g., frame or foot number) may be present in the remaining columns. Some of these scripts are heavily annotated, often in two or more colors of pencil and two or more inks.
C/A = annotations are present; C/NA = only printed information is present. CDS = continuity script labeled 'Continuity and Dialogue Taken from the Screen.' These scripts are generally in a two-column format (camera and scene notes on the left, dialogue on the right) and are mimeographed on 8 1/2 x 11 inch paper. The paper was typically somewhat soft, and it has now mellowed with age, becoming a cream with sometimes a very light brown tint. Mimeograph rarely prints cleanly and sharply. Photocopies of these scripts are generally readable but often dark and not all letters will show clearly. CDM = continuity script labeled 'Continuity and Dialogue Taken from the Moviola'.
Similar to CDS but on preprinted sheets 10x14 inches in size. Edited Book = a CDS or CDM continuity script which has been very heavily annotated for various purposes.
Most are on pre-printed 10x14 inch paper. While they can be photocopied, the print area must be reduced, and the heavy annotation may not be understandable; ink and pencil colors will not show, creating further confusion. Some scripts are page-numbered, in which case the number on the final page is recorded here. Others were paged by reel. All page counts recorded here should be regarded as approximate as pages were sometimes missed in numbering and our page counts may not always be accurate.
Cheaper By The Dozen Novel
MANUSCRIPT INVENTORY In the following inventory, the screenplays are arranged alphabetically. When you click on a box, it will take you to the screenplays in that range, where title, writer, date, and original story are listed, where known. Screenplays whose title begins with A B C D E F G H I J K L M N O P Q R S T U V W X,Y,Z Box 1 Title: A-Haunting We Will Go Screenplay by: Lou Breslow Date: June 2, 1942 Original story by: Lou Breslow and Stanley Rauh Title: The Abductors Screenplay by: Ray Wander Date: January 15-1957 or May 28, 1957 Written by: Ray Wander Title: Abdulla's Harem Screenplay by: George St. George, Boris Ingster, and Fathy Ghanem Date: March 30, 1956 From the original story 'My Kingdom For A Woman' by: Ismet Regeila Title: The Abominable Snowman of the Himalayas Screenplay by: Nigel Kneale Date: September 9, 1957 Based on the play 'The Creature' by Nigel Kneale Box 2 Title: Accent on Love Screenplay by: John Larkin Date: June 18, 1941 Original story by: Dalton Trumbo Title: Adam and Eve Screenplay by: Leo McCarey Date:? Title: Adorable Screenplay by: Paul Frank and Billie Wilder Date: May 8, 1933 Title: The Adventures of Hajji Baba Screenplay by: Richard Collins Date: October 19, 1954 Suggested by the novel 'The adventures of Hajji Baba' by: James Morier Title: The Adventures of Sadie Screenplay by: Noel Langley Date: May 31, 1955 Box 3 Title: The Adventures of a Young Man (Ernest Hemingway's Adventures of a Young Man) Screenplay by: A.E. Hotchner Date:? Based on stories by: Ernest Hemingway Title: Advice to the Lovelorn (Miss Lonelyhearts) Screenplay by: Leonare Praskins Date: July 18, 1933 Title: An Affair to Remember Screenplay by: Delmer Daves and Leo McCarey Date: February 8, 1957 Original story by: Leo McCarey and Mildred Cram Title: After the Ball Scenario by: H.
Cheaper By The Dozen Catering
Harwood and John Orton Date: July, 1932 Box 4 Title: After Tomorrow Scenario by: Sonya Levien Date: March 13, 1932 Story by: John Goldern and Hugh S. Stange Title: The Agony and the Ecstasy Screen story and screenplay: Philip Dunne Date: April 25, 1965 Based on the novel by Irving Stone Title: Air Patrol Screenplay by: Henry Cross Date: February 26, 1962 Box 5 Title: Alaska Passage Screenplay by: Edward Berds Date: December 1, 1958 Title: Alexander's Ragtime Band Screenplay by: Kathryn Scola and Lamar Trotti Date: 1938 Adaptation by: Richard Sherman Title: All Gaul Is Divided Screenplay by: John McGiver Date:? Title: All Hands On Deck Screenplay by: Jay Sommers Date: October 6, 1960 Based on a novel by: Donald R. Morris Box 6 All Hands On Deck (continued) Title: All Men Are Enemies Screenplay by: Samuel Hoffenstein and Lenore Coffee Date: April 2, 1934 Based on a story by: Richard Aldington Title: The Alligator People Screenplay by: Orville Hampton Date: June 9, 1959 Based on a story by: Charles O'Neal Title: Along Came A Spider Screenplay by: Barry Oringer Date: December 18, 1970 Based on the play 'Sweet Poison' by: Leonard Lee Title: Always Goodbye Screenplay by: Kate McLaurin Date: May 12, 1931 Title: Ambush at Cimarron Pass Screenplay by: Richard G. Taylor and John K. Butler Date: November 12, 1957 Story by: Robert A. Reeds and Robert W.